In "Making Settler Cinemas," Peter Limbrick argues that the
United States, Australia, and New Zealand share histories of
colonial encounters that have shaped their cinemas in distinctive
ways. Going beyond readings of narrative and representation, this
book studies the production, distribution, reception, and
reexhibition of cinema across three settler societies under the
sway of two empires. Investigating films both canonical and
overlooked, "Making Settler Cinemas "not only shows how cinema has
mattered to settler societies but affirms that practices of film
history can themselves be instrumental in encountering and
reshaping colonial pasts.""
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