Production studies has developed into an interdisciplinary field of
inquiry of film and television "production cultures," going beyond
traditional examinations of authorship and industry structure.
Studying production as culture involves gathering empirical data
about the lived realities of people involved in media production -
about collaboration and conflicts, routines and rituals, lay
theories and performative actions. This volume broadens the scope
of production studies by analyzing geographic and historical
alternatives to contemporary Hollywood. At the same time, it
invites disciplines such as ethnography, aesthetics, or sociology
of art to reconsider established concepts of film and media studies
like creative agency, genesis of a film work, or transnational
production.
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