Endlessly fascinating, dark and bright, The Red Shoes (1948)
employs every branch of the cinematic arts to sweep the audience
off its feet, invigorated by the transcendence of art itself, only
to leave them with troubling questions. Representing the climax of
Michael Powell and Emeric Pressburger's celebrated run of six
exceptional feature films, the film remains a beloved, if
unsettling and often divisive, classic. Pamela Hutchinson's study
of the film examines its breathtaking use of Technicolor, music,
choreography, editing and art direction at the zenith of Powell and
Pressburger’s capacity for ‘composed cinema’. Through a close
reading of key scenes, particularly the film's famous extended
ballet sequence, she considers the unconventional use of ballet as
uncanny spectacle and the feminist implications of the central
story of female sacrifice. Hutchinson goes on to consider the
film's lasting and wide-reaching influence, tracing its impact on
the film musical genre and horror cinema, with filmmakers such as
Joanna Hogg, Sally Potter, Martin Scorsese and Brian De Palma
having cited the film as an inspiration.
General
Imprint: |
Bfi Publishing
|
Country of origin: |
United Kingdom |
Series: |
BFI Film Classics |
Release date: |
September 2023 |
Authors: |
Pamela Hutchinson
|
Dimensions: |
190 x 135 x 25mm (L x W x T) |
Format: |
Paperback
|
Pages: |
112 |
ISBN-13: |
978-1-83902-606-5 |
Categories: |
Books
|
LSN: |
1-83902-606-5 |
Barcode: |
9781839026065 |
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