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Why Architects Still Draw (Paperback)
Loot Price: R399
Discovery Miles 3 990
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Why Architects Still Draw (Paperback)
Series: The MIT Press
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List price R495
Loot Price R399
Discovery Miles 3 990
You Save R96 (19%)
Expected to ship within 9 - 15 working days
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An architect's defense of drawing as a way of thinking, even in an
age of electronic media. Why would an architect reach for a pencil
when drawing software and AutoCAD are a click away? Use a ruler
when 3D-scanners and GPS devices are close at hand? In Why
Architects Still Draw, Paolo Belardi offers an elegant and ardent
defense of drawing by hand as a way of thinking. Belardi is no
Luddite; he doesn't urge architects to give up digital devices for
watercolors and a measuring tape. Rather, he makes a case for
drawing as the interface between the idea and the work itself. A
drawing, Belardi argues, holds within it the entire final design.
It is the paradox of the acorn: a project emerges from a
drawing-even from a sketch, rough and inchoate-just as an oak tree
emerges from an acorn. Citing examples not just from architecture
but also from literature, chemistry, music, archaeology, and art,
Belardi shows how drawing is not a passive recording but a moment
of invention pregnant with creative possibilities. Moving from the
sketch to the survey, Belardi explores the meaning of measurement
in a digital era. A survey of a site should go beyond width,
height, and depth; it must include two more dimensions: history and
culture. Belardi shows the sterility of techniques that value
metric exactitude over cultural appropriateness, arguing for an
"informed drawing" that takes into consideration more than meters
or feet, stone or steel. Even in the age of electronic media,
Belardi writes, drawing can maintain its role as a cornerstone of
architecture.
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