Beginning in 1963 with the publication of Betty Friedan's "The
Feminine Mystique" and reaching a high pitch ten years later with
the televised mega-event of the "Battle of the Sexes"-the tennis
match between Billie Jean King and Bobby Riggs-the mass media were
intimately involved with both the distribution and the
understanding of the feminist message.
This mass media promotion of the feminist profile, however,
proved to be a double-edged sword, according to Patricia Bradley,
author of "Mass Media and the Shaping of American Feminism,
1963-1975." Although millions of women learned about feminism by
way of the mass media, detrimental stereotypes emerged overnight.
Often the events mounted by feminists to catch the media eye
crystalized the negative image. All feminists soon came to be
portrayed in the popular culture as "bra burners" and "strident
women." Such depictions not only demeaned the achievements of their
movement but also limited discussion of feminism to those subjects
the media considered worthy, primarily equal pay for equal
work.
Bradley's book examines the media traditions that served to
curtail understandings of feminism. Journalists, following the
craft formulas of their trade, equated feminism with the bizarre
and the unusual. Even women journalists could not overcome the
rules of "What Makes News." By the time Billie Jean King confronted
Bobby Riggs on the tennis court, feminism had become a commodity to
be shaped to attract audiences. Finally, in mass media's pursuit of
the new, counter-feminist messages came to replace feminism on the
news agenda and helped set in place the conservative revolution of
the 1980s.
Bradley offers insight into how mass media constructs images and
why such images have the kind of ongoing strength that discourages
young women of today from calling themselves "feminist." The author
also asks how public issues are to be raised when those who ask the
questions are negatively defined before the issues can even be
discussed.
"Mass Media and the Shaping of American Feminism, 1963-1975"
examines the media's role in creating the images of feminism that
continue today. And it poses the dilemma of a call for systematic
change in a mass media industry that does not have a place for
systematic change in its agenda.
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