This indispensable handbook, first published in 2004, explains how
scholars and students should work with and think about the
composer's working manuscripts. This book surveys the knowledge
necessary to work efficiently in archives and libraries housing
this material and with the skills and techniques specifically
related to sketch studies: transcription, reconstructing
sketchbooks, deciphering handwriting, dating documents. It deals
with the music of important twentieth-century composers and
presents visual examples of manuscripts from the collections of
world-renowned institutions such as the Paul Sacher Foundation. The
book aims to make the work of both researchers and students more
efficient and rewarding.
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