Critical theory and dystopia offers a uniquely rich study of
dystopian fiction, drawing on the insights of critical theory.
Asking what ideological work these dark imaginings perform, the
book reconstructs the historical emergence, consolidation and
transformation of the genre across the twentieth century and into
our own, ranging from Yevgeny Zamayatin's We (1924) and Aldous
Huxley's Brave New World (1932) to Anthony Burgess's A Clockwork
Orange (1963) and Suzanne Collins's Hunger Games series (2000s and
2010s). In doing so, it reveals the political logics opened up or
neutered by the successive moments of this dystopian history. -- .
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