Lighting performs essential functions in Hollywood films,
enhancing the glamour, clarifying the action, and intensifying the
mood. Examining every facet of this understated art form, from the
glowing backlights of the silent period to the shaded alleys of
film noir, Patrick Keating affirms the role of Hollywood lighting
as a distinct, compositional force.
Closely analyzing "Girl Shy" (1924), "Anna Karenina" (1935),
"Only Angels Have Wings" (1939), and "T-Men" (1947), along with
other brilliant classics, Keating describes the unique problems
posed by these films and the innovative ways cinematographers
handled the challenge. Once dismissed as crank-turning laborers,
these early cinematographers became skillful professional artists
by carefully balancing the competing demands of story, studio, and
star. Enhanced by more than one hundred illustrations, this volume
counters the notion that style took a backseat to storytelling in
Hollywood film, proving that the lighting practices of the studio
era were anything but neutral, uniform, and invisible.
Cinematographers were masters of multifunctionality and
negotiation, honing their craft to achieve not only realistic
fantasy but also pictorial artistry.
General
Imprint: |
Columbia University Press
|
Country of origin: |
United States |
Series: |
Film and Culture Series |
Release date: |
December 2009 |
First published: |
November 2009 |
Authors: |
Patrick Keating
(Assistant Professor)
|
Dimensions: |
229 x 152 x 16mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
312 |
ISBN-13: |
978-0-231-14903-7 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
0-231-14903-4 |
Barcode: |
9780231149037 |
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