This collection of fourteen new essays explores Irish theatre from
exciting new perspectives. How has Irish theatre been received
internationally - and, as the country becomes more multicultural,
how will international theatre influence the development of drama
in Ireland? As Ireland changes, how should we think about the works
of familiar figures - writers like Synge, O'Casey, Friel, Murphy,
Carr, and McGuinness? Is the distinction between popular and
literary drama tenable in a Celtic Tiger Ireland where the arts and
economics are becoming increasingly intertwined? And is it time to
remember less established Irish writers? Drawing together a range
of international experts, this book aims to answer these and many
other important questions.
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