The films of Stanley Kubrick have left an indelible mark on the
history of American cinema. This text explores the auteur's legacy,
specifically positioning his body of work within the context of
cultural theory. A single chapter is devoted to each of Kubrick's
seven films: Lolita, Dr. Strangelove, 2001: A Space Odyssey, A
Clockwork Orange, The Shining, Full Metal Jacket, and Eyes Wide
Shut. Particular attention is paid to the role of love and death in
Kubrick's films, emphasizing his innovative exploration of love and
sex, and the portrayal of mortality via masculine violence.
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