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Merengue - Dominican Music and Dominican Identity (Paperback, New)
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Merengue - Dominican Music and Dominican Identity (Paperback, New)
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Merengue-the quintessential Dominican dance music-has a long and
complex history, both on the island and in the large immigrant
community in New York City. In this ambitious work, Paul Austerlitz
unravels the African and Iberian roots of merengue and traces its
growth under dictator Rafael Trujillo and its renewed popularity as
an international music. Using extensive interviews as well as
written commentaries, Austerlitz examines the historical and
contemporary contexts in which merengue is performed and danced,
its symbolic significance, its social functions, and its musical
and choreographic structures. He tells the tale of merengue's
political functions, and of its class and racial significance. He
not only explores the various ethnic origins of this Ibero-African
art form, but points out how some Dominicans have tried to deny its
African roots. In today's global society, mass culture often marks
ethnic identity. Found throughout Dominican society, both at home
and abroad, merengue is the prime marker of Dominican identity. By
telling the story of this dance music, the author captures the
meaning of mass and folk expression in contemporary ethnicity as
well as the relationship between regional, national, and migrant
culture and between rural/regional and urban/mass culture.
Austerlitz also traces the impact of migration and global culture
on the native music, itself already a vibrant intermixture of
home-grown merengue forms. From rural folk idiom to transnational
mass music, merengue has had a long and colorful career. Its
well-deserved popularity will make this book a must read for anyone
interested in contemporary music; its complex history will make the
book equally indispensable to anyone interested in cultural
studies.
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