A collection of essays which explore the cultural background and
creative evolution of this once-overlooked work. This volume is
based on a selection of papers presented during a study course
devoted to Gloriana held at the Britten-Pears School for Advanced
Musical Studies in 1991. Glorianahas been a source of controversy
since its premiere as part of the Coronation celebrations in 1953.
It was planned as a national opera of broad appeal by its authors,
Benjamin Britten and William Plomer, but, despite wide coverage in
the media, the opera failed toestablish itself in the repertoire
until a new production in 1966 revealed it to be a powerful and
stageworthy work. In recent years it has attracted an increasing
amount of scholarly attention. This volume offers essays byROBERT
HEWISON, PHILIP REED, ANTONIA MALLOY, DONALD MITCHELL and PETER
EVANS which explore the opera's cultural background, the early
stages of its creative evolution, the first critical responses, and
various aspects of the workitself: these are supplemented by a list
of source materials for the opera and the works derived from it,
and an extensive bibliography.
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