Gigs provides a fascinating account of a unique victory for
musicians against repressive entertainment licensing laws. It
provides a much-needed study of the social, political, cultural and
legal conditions surrounding a change in law and public attitudes
toward vernacular music in New York City. This second edition
includes a new preface by Hamish Birchall and an introduction by
the series editors, Guy Osborn and Steve Greenfield, as well as an
afterword by the author, and it will be essential reading for all
those interested in the history of social attitudes toward the
popular arts and the use of constitutional litigation for social
change.
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