This volume is based on a session entitled 'Interpreting the
Ambiguous' at the 2001 Institute of Field Archaeologists (IFA)
annual conference at the University of Newcastle upon Tyne. It is
hoped that the 13 papers will be of value to anyone planning
archaeological interpretation work in the near future. They range
over large expanses of both space and time. While they vary
considerably in terms of subject matter, they are all united by one
basic aim: the desire to encourage people to think for themselves
about the past. The contributors are: (1) 'So much history in this
landscape. So much confusion, so much doubt.' Paul Frodsham; (2)
Sowing the seeds of doubt. The presentation of the past to the
public. Emma Carver; (3) Virtually the Ice Age. Interpreting the
Palaeolithic archaeology of Creswell Crags. Ian Wall; (4) Telling
stories. Archaeology, interpretation and the National Trust at
Avebury. Ruth Taylor; (5) The Maelmin Heritage Trail.
Archaeological research and the public. Clive Waddington; (6) Drama
on Gardom's Edge. The use of theatre groups in public
interpretation of prehistory. Bill Bevan; (7) Changing
interpretations.Public access and interpretation on a
developer-funded excavation at Braehead, Glasgow. Ronan Toolis and
Clare Ellis; (8) 'Valley of the First Iron Masters'. A case study
in inclusion and interpretation. Peter Halkon; (9) Roundhouses in
the Landscape. Interpreting the Iron Age at Castell Henllys. Phil
Bennett; (10) High Street, Londinium. Reconstructing Roman London.
Hedley Swain; (11) Access to the evidence. Interpretation of an
excavation at a Scottish castle. Adrian Cox; (12). 'But didn't the
horses drown?' Interpreting historic narrowboats in the Working
Boats Project. Jo Bell; (13) Whither interpretation? Peter Stone.
General
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