(Schott). Originally published in the 1940s, Paul Hindemith's
remakable textbooks are still the outstanding works of their kind.
In contrast to many musical textbooks written by academic
musicians, these were produced by a man who could play every
instrument of the orchestra, could compose a satisfying piece for
almost every kind of ensemble, and who was one of the most
stimulating teachers of his day. It is therefore not surprising
that nearly forty years later these books should remain essential
reading for the student and the professional musician.
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