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Desolation: Souvenir (Paperback)
Loot Price: R367
Discovery Miles 3 670
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Desolation: Souvenir (Paperback)
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Loot Price R367
Discovery Miles 3 670
Expected to ship within 12 - 17 working days
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Poetry. Fiercely elegiac, the title poem of Paul Hoover's
DESOLATION: SOUVENIR began as a "filling in" of the blank spaces in
A Tomb for Anatole, Paul Auster's translation of Mallarmes
grief-stricken notes for a poem that he never completed on the
death of his ten-year-old son. However, Hoover's writing soon
turned to his own consideration of life, death, the breaking of
family relations, and loss of love as experienced by all of us:
"when death plays / with a child / it goes out nimble / comes back
cold / life that traitor / aboard a razor boat." Written in three
terse stanzas, each of the poem's 50 pages offers a phrase that
becomes the title of its opposite number at the other end of the
manuscript. The result is a haunting echoic effect that becomes
especially rich as the phrases "cross" at the middle of the
sequence. At times, the poem mourns the loss of the earth itself:
"what will be enough / when the earth / contains no one / will the
harvest still be full" and "no bees in the hive, no hive / sound
returns to its bell." Inspired by his reading of Wittgenstein's
Tractatus, the companion poem, "The Windows (The Actual Acts),"
consists of a series of philosophical propositions in everyday
language: "An object is the actual awaiting further action. / It
can wait a long time. / Time is fresh in objects even when they
decay. / You can't give one example of time getting old." Another
series of thoughts begins: "Have you every gazed from a window to
see if everything's still there? / And see your own face in the
glass, superimposed on the view? / Consciousness rests among its
objects. / Which makes the objects restless." Long established as a
poet of wit and intelligence, Paul Hoover now establishes himself
as an important voice of deep emotional resonance and far ranging
vision.
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