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Georges Florovsky and the Russian Religious Renaissance (Paperback)
Loot Price: R1,216
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Georges Florovsky and the Russian Religious Renaissance (Paperback)
Series: Changing Paradigms in Historical and Systematic Theology
Expected to ship within 12 - 17 working days
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Georges Florovsky is the mastermind of a 'return to the Church
Fathers' in twentieth-century Orthodox theology. His theological
vision-the neopatristic synthesis-became the main paradigm of
Orthodox theology and the golden standard of Eastern Orthodox
identity in the West. Focusing on Florovsky's European period
(1920-1948), this study analyses how Florovsky's evolving
interpretation of Russian religious thought, particularly Vladimir
Solovyov and Sergius Bulgakov, informed his approach to patristic
sources. Paul Gavrilyuk offers a new reading of Florovsky's
neopatristic theology, by closely considering its ontological,
epistemological and ecclesiological foundations. It is common to
contrast Florovsky's neopatristic theology with the 'modernist'
religious philosophies of Pavel Florensky, Sergius Bulgakov, and
other representatives of the Russian Religious Renaissance.
Gavrilyuk argues that the standard narrative of twentieth-century
Orthodox theology, based on this polarization, must be
reconsidered. The author demonstrates Florovsky's critical
appropriation of the main themes of the Russian Religious
Renaissance, including theological antinomies, the meaning of
history, and the nature of personhood. The distinctive features of
Florovsky's neopatristic theology Christological focus, 'ecclesial
experience', personalism, and 'Christian Hellenism' are best
understood against the background of the main problematic of the
Renaissance. Specifically, it is shown that Bulgakov's sophiology
provided a polemical subtext for Florovsky's theology of creation.
It is argued that the use of the patristic norm in application to
modern Russian theology represents Florovsky's theological
signature. Drawing on unpublished archival material and
correspondence, this study sheds new light on such aspects of
Florovsky's career as his family background, his participation in
the Eurasian movement, his dissertation on Alexander Herzen, his
lectures on Vladimir Solovyov, and his involvement in Bulgakov's
Brotherhood of St Sophia.
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