The Council of Chalcedon in 451 divided eastern Christianity, with those who were later called Syrian Orthodox among the Christians in the near eastern provinces who refused to accept the decisions of the council. These non-Chalcedonians (still better known under the misleading term Monophysites) separated from the church of the empire after Justin I attempted to enforce Chalcedon in the East in 518. Volker L. Menze historicizes the formation of the Syrian Orthodox Church in the first half of the sixth century. This volume covers the period from the accession of Justin to the second Council of Constantinople in 553. Menze begins with an exploration of imperial and papal policy from a non-Chalcedonian, eastern perspective, then discusses monks, monasteries and the complex issues surrounding non-Chalcedonian church life and sacraments. The volume concludes with a close look at the working of "collective memory" among the non-Chalcedonians and the construction of a Syrian Orthodox identity. This study is a histoire evenementielle of actual religious practice, especially concerning the Eucharist and the diptychs, and of ecclesiastical and imperial policy which modifies the traditional view of how emperors (and in the case of Theodora: empresses) ruled the late Roman/early Byzantine empire. By combining this detailed analysis of secular and ecclesiastical politics with a study of long-term strategies of memorialization, the book also focuses on deep structures of collective memory on which the tradition of the present Syrian Orthodox Church is founded.

In the age of the Theodosian dynasty and the establishment of Christianity as the only legitimate religion of the Roman Empire, few figures are more pivotal in the power politics of the Christian church than archbishop Theophilus of Alexandria (385-412). This work examines the involvement of archbishop Theophilus in the so-called First Origenist Controversy when the famed third-century Greek theologian Origen received, a century and a half after his death, a formal condemnation for heresy. Modern scholars have been successful in removing the majority of the charges which Theophilus laid on Origen as not giving a fair representation of his thought. Yet no sufficient explanation has been offered as to why what to us appears as an obvious miscarriage of justice came to be accepted, or why it was needed in the first place. Kratsu Banev offers a sustained argument for the value of a rhetorically informed methodology with which to analyse Theophilus' anti-Origenist Festal Letters. He highlights that the wide circulation and overt rhetorical composition of these letters allow for a new reading of these key documents as a form of 'mass-media' unique for its time. The discussion is built on a detailed examination of two key ingredients in the pastoral polemic of the archbishop - masterly use of late-antique rhetorical conventions, and in-depth knowledge of monastic spirituality - both of which were vital for securing the eventual acceptance of Origen's condemnation. Dr Banev's fresh approach reveals that Theophilus' campaign formed part of a consistent policy aimed at harnessing the intellectual energy of the ascetic movement to serve the wider needs of the church.

The Russian school of modern Orthodox theology has made an immense but undervalued contribution to Christian thought. Neglected in Western theology, and viewed with suspicion by some other schools of Orthodox theology, its three greatest thinkers have laid the foundations for a new ecumenism and a recovery of the cosmic dimension of Christianity. This ground-breaking study includes biographical sketches of Aleksandr Bukharev (Archimandrite Feodor), Vladimir Soloviev and Sergii Bulgakov, together with the necessary historical background. Professor Valliere then examines the creative ideas they devised or adapted, including the ?humanity of God?, sophiology, panhumanity, free theocracy, church-and-world dogmatics and prophetic ecumenism.

The Philokalia (literally "love of the beautiful") is, after the Bible, the most influential source of spiritual tradition within the Orthodox Church. First published in Greek in 1782 by St. Nicodemos of the Holy Mountain and St. Macarios of Corinth, the Philokalia includes works by thirty-six influential Orthodox authors such as Maximus the Confessor, Peter of Madascus, Symeon the New Theologian, and Gregory Palamas. Surprisingly, this important collection of theological and spiritual writings has received little scholarly attention. With the growing interest in Orthodox theology, the need for a substantive resource for Philokalic studies has become increasingly evident. The purpose of the present volume is to remedy that lack by providing an ecumenical collection of scholarly essays on the Philokalia that will introduce readers to its background, motifs, authors, and relevance for contemporary life and thought.

This book offers the first comprehensive examination and analysis of the receipt, transmission, and interpretation of the Old Testament in the Eastern Orthodox tradition. In Orthodoxy, the Old Testament has commonly been equated with the Septuagint, the Greek version of the Jewish Bible attested by fourth- and fifth-century Christian manuscripts. As Eugen Pentiuc shows throughout this work, however, the Eastern Orthodox Church has never closed the door to other text-witnesses or suppressed interpreters' efforts to dig into the less familiar text of the Hebrew Bible for key terms or reading variants. The first part of the book examines the reception of the Old Testament by the early Eastern Orthodox Church, considering such matters as the nature of divine revelation, the paradox of the inclusion of the Jewish scriptures in the Christian Bible, and the relationship between the Old and New Testaments. Pentiuc's investigation is not limited to the historic-literary sources but extends to the visual, imaginative, and symbolic aspects of the Church's living tradition. In the second part of the book he looks at the various ways Orthodox Christians have sought to assimilate the Old Testament in the spiritual, liturgical, and doctrinal fabric of their faith community. Special attention is given to liturgy (hymnody, lectionaries, and liturgical symbolism), iconography (frescoes, icons, illuminations), monastic rules and canons, conciliar resolutions, and patristic works in Greek, Syriac and Coptic. This wide-ranging and accessible work will serve not only to make Orthodox Christians aware of the importance of the Old Testament in their own tradition, but to introduce those who are not Orthodox both to the distinctive ways in which that community approaches scripture and to the modes of spiritual practice characteristic of Eastern Orthodoxy.

This volume, the first in a major new series which will provide authoritative texts of key non-canonical gospel writings, comprises a critical edition, with full translations, of all the extant manuscripts of the Gospel of Mary. In addition, an extended Introduction discusses the key issues involved in the interpretation of the text, as well as locating it in its proper historical context, while a Commentary explicates points of detail. The gospel has been important in many recent discussions of non-canonical gospels, of early Christian Gnosticism, and of discussions of the figure of Mary Magdalene. The present volume will provide a valuable resource for all future discussions of this important early Christian text.

In spite of the Orthodox liturgy's reputation for resistance to change, Byzantine liturgical dress underwent a period of extraordinary elaboration from the end of the eleventh century onwards. As part of this development, embroideries depicting holy figures and scenes began to appear on the vestments of the clergy. Examining the surviving Byzantine vestments in conjunction with contemporary visual and textual evidence, Woodfin relates their embroidered imagery both to the program of images used in churches, and to the hierarchical code of dress prevailing in the imperial court. Both sets of visual cross-references serve to enforce a reading of the clergy as living icons of Christ. Finally, the book explores the competing configurations of the hierarchy of heaven as articulated in imperial and ecclesiastical art. It shows how the juxtaposition of real embroidered vestments with vestments depicted in paintings, allowed the Orthodox hierarchy to represent itself as a direct extension of the hierarchy of heaven.
Drawing on the best of recent scholarship in Byzantine liturgy, monumental painting, and textile studies, Woodfin's volume is the first major illustrated study of Byzantine embroidered vestments to appear in over forty years.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Western observers never fail to be awestruck at the celebration of the liturgy in an Orthodox church. Hugh Wybrew's authoritative yet highly readable account traces the fascinating story of the Orthodox liturgy from its origins in the first century to the present day, conveying a lively and memorable sense of what it would have felt like to be among the worshippers. 'We have long needed such an introduction. Clear yet detailed, sympathetic yet not uncritical, The Orthodox Liturgy will be of great value to Christian, whether western or eastern.' Metropolitan Kallistos of Diokleia

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

For over fifty years, Anthony Bloom (1914-2003 was head of the russian Orthodox Church ihn Great Britain (Patriarchate of Moscow). Arriving in Britain in 1949 he played a major part of ecumenical work and exerted a wide influence through his broadcasts, writings (he is the author of several spiritual classics), and reputation as a spiritual leader. His writings reflect both the essence of Orthodoxy and his own experience of the struggle to live Christianity on a daily basis.

An English translation of the second edition of Peter Kawerau's Die Jakobitische Kirche im Zeitalter der syrischen Renaissance (1960).

Welcome to the Orthodox Church-its history, theology, worship, spirituality, and daily life. This friendly guide provides a comprehensive introduction to Orthodoxy, but with a twist: readers learn by making a series of visits to a fictitious church, and get to know the faith as new Christians did for most of history, by immersion. Mathews-Green provides commentary and explanations on everything from how to "venerate" an icon, the Orthodox understanding of the atonement, to the Lenten significance of tofu. It's the perfect book for inquirers and newcomers, but even readers who have been Orthodox all their lives say they learned things they never knew before. Enjoyable, easy-to-read, and leavened with humor, Welcome to the Orthodox Church is a gracious guide to the ancient faith of the Christian East.

This anthropological work thoroughly illustrates the novel synthesis of Christian religion and New Age spirituality in Greece. It challenges the single-faith approach that traditionally ties southern European countries to Christianity and focuses on how processes of globalization influence and transform vernacular religiosity. Based on long-term anthropological fieldwork in Greece, this book demonstrates how the popular belief in the 'evil eye' produces a creative affinity between religion and spirituality in everyday practice. The author analyses a variety of significant research themes, including lived and vernacular religion, alternative spirituality and healing, ritual performance and religious material culture. The book offers an innovative social scientific interpretation of contemporary religiosity, while engaging with a multiplicity of theoretical, analytic and empirical directions. It contributes to current key debates in social sciences with regard to globalization and secularization, religious pluralism, contemporary spirituality and the New Age movement, gender, power and the body, health, illness and alternative therapeutic systems, senses, perception and the supernatural, the spiritual marketplace, creativity and the individualization of religion in a multicultural world.

The place of religion in the Enlightenment has been keenly debated for many years. Research has tended, however, to examine the interplay of religion and knowledge in Western countries, often ignoring the East. In Enlightenment and religion in the Orthodox World leading historians address this imbalance by exploring the intellectual and cultural challenges and changes that took place in Orthodox communities during the eighteenth century. The two main centres of Orthodoxy, the Greek-speaking world and the Russian Empire, are the focus of early chapters, with specialists analysing the integration of modern cosmology into Greek education, and the Greek alternative 'enlightenment', the spiritual Philokalia. Russian experts also explore the battle between the spiritual and the rational in the works of Voulgaris and Levshin. Smaller communities of Eastern Europe were faced with their own particular difficulties, analysed by contributors in the second part of the book. Governed by modernising princes who embraced Enlightenment ideals, Romanian society was fearful of the threat to its traditional beliefs, whilst Bulgarians were grappling in different ways with a new secular ideology. The particular case of the politically-divided Serbian world highlights how Dositej Obradovic's complex humanist views have been used for varying ideological purposes ever since. The final chapter examines the encroachment of the secular on the traditional in art, and the author reveals how Western styles and models of representation were infiltrating Orthodox art and artefacts. Through these innovative case studies this book deepens our understanding of how Christian and secular systems of knowledge interact in the Enlightenment, and provides a rich insight into the challenges faced by leaders and communities in eighteenth-century Orthodox Europe.