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Books > Christianity > Orthodox Churches
Islam and the Orthodox Church in contemporary Russia are usually studied in isolation from each other, and each in relation to the Kremlin; the latter demands the development of a home-grown and patriotic 'religious traditionalism, as a bulwark against subversive 'non-traditional' imports. This volume breaks new ground by focusing on charismatic missionaries from both religions who bypass the hierarchies of their respective faith organizations and challenge the 'traditionalism' paradigm from within Russia's many religious traditions, and who give new meanings to the well-known catchwords of Russia's identity discourse. The Moscow priest Daniil Sysoev confronted the Russian Orthodox Church with 'Uranopolitism', a spiritual vision that defies patriotism and nationalism; the media-savvy Geidar Dzhemal projected an 'Islamic Eurasianism' and a world revolution for which Russia's Muslims would provide the vanguard; and the Islamic terrorist Said Buriatskii found respect among left- and right-wing Russians through his Islamic adaptation of Lev Gumilev's 'passionarity' paradigm. On the other side, Russian experts and journalists who propagate the official paradigm of Russia's 'traditional Islam' argue from either Orthodox or secularist perspectives, and fail to give content to the concept. This allows even moderate Salafis to argue that their creed is Russia's real 'traditionalist' Islam. This book was originally published as a special issue of Islam and Christian-Muslim Relations.
Although much has been written on the making of art objects as a means of engaging in creative productions of the self (most famously Alfred Gell's work), there has been very little written on Orthodox Christianity and its use of material within religious self-formation. Eastern Orthodox Christianity is renowned for its artistry and the aesthetics of its worship being an integral part of devout practice. Yet this is an area with little ethnographic exploration available and even scarcer ethnographic attention given to the material culture of Eastern Christianity outside the traditional 'homelands' of the greater Levant and Eastern Europe. Drawing from and building upon Gell's work, Carroll explores the uses and purposes of material culture in Eastern Orthodox Christian worship. Drawing on three years of ethnographic fieldwork in a small Antiochian Orthodox parish in London, Carroll focusses on a study of ecclesiastical fabric but places this within the wider context of Orthodox material ecology in Britain. This ethnographic exploration leads to discussion of the role of materials in the construction of religious identity, material understandings of religion, and pathways of pilgrimatic engagement and religious movement across Europe. In a religious tradition characterised by repetition and continuity, but also as sensuously tactile, this book argues that material objects are necessary for the continual production of Orthodox Christians as art-like subjects. It is an important contribution to the corpus of literature on the anthropology of material culture and art and the anthropology of religion.
The series is devoted to Christian texts from the Greek-speaking parts of the ancient Roman Empire. Published since 1897 (first in Leipzig, then in Berlin) by the Royal Prussian Academy under the project Griechische Christliche Schriftsteller, which was continued by the Berlin-Brandenburg Academy, the series offers large critical editions accompanied by historical introductions and indices of those works that have not been included in other major editions. When complete, the series will provide complete coverage of the first three centuries.
"Our Lord Jesus Christ is the Conqueror of death, and, consequently, of the death of our departed ones. Let us say to them in Him, not 'Farewell,' but 'Until we meet again, beloved spouse, good parents, dear brother or sister. Until we meet again!'" While many are now abandoning traditional religious practice, none the less, the reality of death and questions regarding the afterlife remain at the forefront of spiritual consciousness. How Our Departed Ones Live is the answer to those who seek the truth as expressed through the experience of the Orthodox Church. This comprehensive book discusses the source of death and mortality, the inner connection and mutual relationship between the living and the departed, intercession by the living for the departed, and life beyond the grave. It will comfort the grieving and inspire all Christians to strengthen their resolve as they seek first the Kingdom of God, and His righteousness.
Georges Florovsky is the mastermind of a 'return to the Church Fathers' in twentieth-century Orthodox theology. His theological vision-the neopatristic synthesis-became the main paradigm of Orthodox theology and the golden standard of Eastern Orthodox identity in the West. Focusing on Florovsky's European period (1920-1948), this study analyses how Florovsky's evolving interpretation of Russian religious thought, particularly Vladimir Solovyov and Sergius Bulgakov, informed his approach to patristic sources. Paul Gavrilyuk offers a new reading of Florovsky's neopatristic theology, by closely considering its ontological, epistemological and ecclesiological foundations. It is common to contrast Florovsky's neopatristic theology with the 'modernist' religious philosophies of Pavel Florensky, Sergius Bulgakov, and other representatives of the Russian Religious Renaissance. Gavrilyuk argues that the standard narrative of twentieth-century Orthodox theology, based on this polarization, must be reconsidered. The author demonstrates Florovsky's critical appropriation of the main themes of the Russian Religious Renaissance, including theological antinomies, the meaning of history, and the nature of personhood. The distinctive features of Florovsky's neopatristic theology Christological focus, 'ecclesial experience', personalism, and 'Christian Hellenism' are best understood against the background of the main problematic of the Renaissance. Specifically, it is shown that Bulgakov's sophiology provided a polemical subtext for Florovsky's theology of creation. It is argued that the use of the patristic norm in application to modern Russian theology represents Florovsky's theological signature. Drawing on unpublished archival material and correspondence, this study sheds new light on such aspects of Florovsky's career as his family background, his participation in the Eurasian movement, his dissertation on Alexander Herzen, his lectures on Vladimir Solovyov, and his involvement in Bulgakov's Brotherhood of St Sophia.
This book is the first exploration of the remarkable odyssey of Thomas Aquinas in the Orthodox Christian world, from the Byzantine to the modern era. Aquinas was received with astonishing enthusiasm across the Byzantine theological spectrum. By contrast, modern Orthodox readings of Aquinas have been resoundingly negative, routinely presenting Aquinas as the archetype of as a specifically Western form of theology against which the Orthodox East must set its face. Basing itself primarily on a close study of the Byzantine reception of Thomas, this study rejects such hackneyed dichotomies, arguing instead for a properly catholic or universal construal of Orthodoxy - one in which Thomas might once again find a place. In its probing of the East-West dichotomy, this book questions the widespread juxtaposition of Gregory Palamas and Thomas Aquinas as archetypes of opposing Greek and Latin theological traditions. The long period between the Fall of Constantinople and the Russian Revolution, conventionally written off as an era of sterility and malformation for Orthodox theology, is also viewed with a fresh perspective. Study of the reception of Thomas in this period reveals a theological sophistication and a generosity of vision that is rarely accounted for. In short, this is a book which radically re-thinks the history of Orthodox theology through the prism of the fascinating and largely untold story of Orthodox engagement with Aquinas.
In seventeenth-century Europe the Copts, or the Egyptian members of the Church of Alexandria, were widely believed to hold the key to an ancient wisdom and an ancient theology. Their language was thought to lead to the deciphering of the hieroglyphs and their Church to retain traces of early Christian practices as well as early Egyptian customs. Now available in paperback for the first time, this first, full-length study of the subject, discusses the attempts of Catholic missionaries to force the Church of Alexandria into union with the Church of Rome and the slow accumulation of knowledge of Coptic beliefs, undertaken by Catholics and Protestants. It ends with a survey of the study of the Coptic language in the West and of the uses to which it was put by Biblical scholars, antiquarians, theologians, and Egyptologists.
Andrei Bloom (1914-2003) better known as Anthony Bloom, or Metropolitan Anthony of Sourozh, led an extraordinary life. He was an individual who sought to be in touch with his God yet in solidarity with and responsibility for a tragically disconnected society; a man of God who "knew the world". From the difficulties of Russian emigre life that conditioned him as "a monk without a monastery", through the trials and suffering of war and revolution, to his calling as Priest and Bishop of the Russian Orthodox Church in Great Britain, he moved between many changing landscapes, striving always to take his bearings in prayer and contemplation. In spite of the collapse of their whole way of life, his parents brought him up to be a generous and courteous friend to those around him. As a surgeon and doctor in German-occupied France, he would provide treatment to those in need irrespective of ethnic or ideological affiliation. In his character, joy in the good and the beautiful was compounded with ardor and tragic depths. This biography explores how Metropolitan Anthony sought the mind of Christ to cultivate and control his own loving heart and occasionally harsh exigence. Avril Pyman draws on a mosaic of available evidence to offer deeper insight into the life and times of a remarkable spiritual teacher, charismatic speaker and priest whose cosmopolitan background, character and experience of science and medicine made a unique and significant contribution to Orthodox Christian thought and practice throughout the world.
Georges Florovsky is the mastermind of a 'return to the Church Fathers' in twentieth-century Orthodox theology. His theological vision-the neopatristic synthesis-became the main paradigm of Orthodox theology and the golden standard of Eastern Orthodox identity in the West. Focusing on Florovsky's European period (1920-1948), this study analyses how Florovsky's evolving interpretation of Russian religious thought, particularly Vladimir Solovyov and Sergius Bulgakov, informed his approach to patristic sources. Paul Gavrilyuk offers a new reading of Florovsky's neopatristic theology, by closely considering its ontological, epistemological and ecclesiological foundations. It is common to contrast Florovsky's neopatristic theology with the 'modernist' religious philosophies of Pavel Florensky, Sergius Bulgakov, and other representatives of the Russian Religious Renaissance. Gavrilyuk argues that the standard narrative of twentieth-century Orthodox theology, based on this polarization, must be reconsidered. The author demonstrates Florovsky's critical appropriation of the main themes of the Russian Religious Renaissance, including theological antinomies, the meaning of history, and the nature of personhood. The distinctive features of Florovsky's neopatristic theology-Christological focus, 'ecclesial experience', personalism, and 'Christian Hellenism'-are best understood against the background of the main problematic of the Renaissance. Specifically, it is shown that Bulgakov's sophiology provided a polemical subtext for Florovsky's theology of creation. It is argued that the use of the patristic norm in application to modern Russian theology represents Florovsky's theological signature. Drawing on unpublished archival material and correspondence, this study sheds new light on such aspects of Florovsky's career as his family background, his participation in the Eurasian movement, his dissertation on Alexander Herzen, his lectures on Vladimir Solovyov, and his involvement in Bulgakov's Brotherhood of St Sophia.
In this sweeping history, Alexander Kitroeff shows how the Greek Orthodox Church in America has functioned as much more than a religious institution, becoming the focal point in the lives of the country's million-plus Greek immigrants and their descendants. Assuming the responsibility of running Greek-language schools and encouraging local parishes to engage in cultural and social activities, the church became the most important Greek American institution and shaped the identity of Greeks in the United States. Kitroeff digs into these traditional activities, highlighting the American church's dependency on the "mother church," the Greek Orthodox Patriarchate of Constantinople, and the use of Greek language in the Sunday liturgy. Today, as this rich biography of the church shows us, Greek Orthodoxy remains in between the Old World and the New, both Greek and American.
In spite of the Orthodox liturgy's reputation for resistance to
change, Byzantine liturgical dress underwent a period of
extraordinary elaboration from the end of the eleventh century
onwards. As part of this development, embroideries depicting holy
figures and scenes began to appear on the vestments of the clergy.
Examining the surviving Byzantine vestments in conjunction with
contemporary visual and textual evidence, Woodfin relates their
embroidered imagery both to the program of images used in churches,
and to the hierarchical code of dress prevailing in the imperial
court. Both sets of visual cross-references serve to enforce a
reading of the clergy as living icons of Christ. Finally, the book
explores the competing configurations of the hierarchy of heaven as
articulated in imperial and ecclesiastical art. It shows how the
juxtaposition of real embroidered vestments with vestments depicted
in paintings, allowed the Orthodox hierarchy to represent itself as
a direct extension of the hierarchy of heaven.
This book describes the role of the medieval Orthodox Church in the
Byzantine Empire (c.600-c.1453). As an integral part of its policy
it was (as in western Christianity) closely linked with many
aspects of everyday life both official and otherwise. It was a
formative period for Orthodoxy. It had to face doctrinal problems
and heresies; at the same time it experienced the continuity and
deepening of its liturgical life. While holding fast to the
traditions of the fathers and the councils, it saw certain
developments in doctrine and liturgy as also in administration.
With a new subject and scriptural index, as well as a short abstract on Nikolai Gogol as a religious personality, this reedited commentary on the Divine Liturgy the primary public worship service of the Orthodox Church is as practical as it is mystical. Gogol, one of the most prominent Russian writers of the 19th century, draws from the early Church Fathers and his own experience to explain the sublime mystery of the Orthodox divine services. In doing so, he also provides a fascinating look into his own religious character and profound liturgical spirituality.
The Council of Chalcedon in 451 divided eastern Christianity, with those who were later called Syrian Orthodox among the Christians in the near eastern provinces who refused to accept the decisions of the council. These non-Chalcedonians (still better known under the misleading term Monophysites) separated from the church of the empire after Justin I attempted to enforce Chalcedon in the East in 518. Volker L. Menze historicizes the formation of the Syrian Orthodox Church in the first half of the sixth century. This volume covers the period from the accession of Justin to the second Council of Constantinople in 553. Menze begins with an exploration of imperial and papal policy from a non-Chalcedonian, eastern perspective, then discusses monks, monasteries and the complex issues surrounding non-Chalcedonian church life and sacraments. The volume concludes with a close look at the working of "collective memory" among the non-Chalcedonians and the construction of a Syrian Orthodox identity. This study is a histoire evenementielle of actual religious practice, especially concerning the Eucharist and the diptychs, and of ecclesiastical and imperial policy which modifies the traditional view of how emperors (and in the case of Theodora: empresses) ruled the late Roman/early Byzantine empire. By combining this detailed analysis of secular and ecclesiastical politics with a study of long-term strategies of memorialization, the book also focuses on deep structures of collective memory on which the tradition of the present Syrian Orthodox Church is founded.
Dr Jean-Claude Larchet, renowned for his examinations of the causes and consequences of spiritual and physical illness, here tackles the pressing question of the societal and personal effects of our societal use of new media. The definition of new media is broad - from radio to smart phones - and the analysis of their impact is honest and straightforward. His meticulous diagnosis of their effects concludes with a discussion of the ways individuals might limit and counteract the most deleterious effects of this new epidemic.
Women and Religiosity in Orthodox Christianity fills a significant gap in the sociology of religious practice: Studies focused on women's religiosity have overlooked Orthodox populations, while studies of Orthodox practice (operating within the dominant theological, historical, and sociological framework) have remained gender-blind. The essays in this collection shed new light on the women who make up a considerable majority of the Orthodox population by engaging women's lifeworlds, practices, and experiences in relation to their religion in multiple, varied localities, discussing both contemporary and pre-1989 developments. These contributions critically engage the pluralist and changing character of Orthodox institutional and social life by using feminist epistemologies and drawing on original ethnographic research to account for Orthodox women's previously ignored perspectives, knowledges, and experiences. Combining the depth of ethnographic analysis with geographical breadth and employing a variety of research methodologies, this book expands our understanding of Orthodox Christianity by examining Orthodox women of diverse backgrounds in different settings: parishes, monasteries, and the secular spaces of everyday life, and under shifting historical conditions and political regimes. In defiance of claims that Orthodox Christianity is immutable and fixed in time, these essays argue that continuity and transformation can be found harmoniously in social practices, demographic trends, and larger material contexts at the intersection between gender, Orthodoxy, and locality. Contributors: Kristin Aune, Milica Bakic-Hayden, Maria Bucur, Ketevan Gurchiani, James Kapalo, Helena Kupari, Ina Merdjanova, Sarah Riccardi-Swartz, Eleni Sotiriou, Tatiana Tiaynen-Qadir, Detelina Tocheva
Christianity arrived early in Egypt, brought-according to tradition-by Saint Mark the Evangelist, who became the first patriarch of Alexandria. The Coptic Orthodox Church has flourished ever since, with millions of adherents both in Egypt and in Coptic communities around the world. Since its split from the Byzantine Church in 451, the Coptic Church has proudly maintained its early traditions, and influence from outside has been minimal: the liturgy is still sung to unique rhythms in Coptic, a late stage of the same ancient Egyptian language that is inscribed in hieroglyphs on temple walls and papyri. Dr. Otto Meinardus, a leading authority on the history of the Coptic Church, here revises, updates, and combines his renowned studies Christian Egypt, Ancient and Modern (AUC Press, 1965, 1977) and Christian Egypt, Faith and Life (AUC Press, 1970) into a new, definitive, one-volume history, surveying the twenty centuries of existence of one of the oldest churches in the world.
"The Philokalia" is a collection of texts written between the
fourth and the fifteenth centuries by spiritual masters of the
Orthodox Christian tradition. First published in Greek in 1782,
then translated into Slavonic and later into Russian, " The
Philokalia "has exercised an influence in the recent history of the
Orthodox Church far greater than that of any book apart from the
Bible. It is concerned with themes of universal importance: how man
may develop his inner powers and awake from illusion; how he may
overcome fragmentation and achieve spiritual wholeness; how he may
attain the life of contemplative stillness and union with
God.
Regarded as one of the three hierarchs or pillars of orthodoxy along with Gregory of Nazianzus and John Chrysostom, Basil is a key figure in the formative process of Christianity in the fourth century. While his role in establishing Trinitarian terminology, as well as his function in shaping monasticism, his social thought and even his contribution to the evolution of liturgical forms have been the focus of research for many years, there are few studies which centre on his political thought. Basil played a major role in the political and religious life between Cappadocia and Armenia and was a key figure in the tumultuous relationship between Church and State in Late Antiquity. He was a great religious leader and a gifted diplomat, and developed a 'special relationship' with Emperor Valens and other high imperial officials.
Augustine of Hippo (AD 354-430) is arguably the most controversial
Christian thinker in history. His positions on philosophical and
theological concerns have been the subjects of intense scrutiny and
criticism from his lifetime to the present.
Thecla, a disciple of the apostle Paul, became perhaps the most celebrated female saint and 'martyr' in the early church. Bringing together literary, artistic, and archaeological evidence, the author shows how the cult of Saint Thecla was especially popular among early Christian women.
Contemplative reading is a spiritual practice developed by Christian monks in sixth- and seventh-century Mesopotamia. Mystics belonging to the Church of the East pursued a form of contemplation which moved from reading, to meditation, to prayer, to the ecstasy of divine vision. The Library of Paradise tells the story of this Syriac tradition in three phases: its establishment as an ascetic practice, the articulation of its theology, and its maturation and spread. The sixth-century monastic reform of Abraham of Kashkar codified the essential place of reading in East Syrian ascetic life. Once established, the practice of contemplative reading received extensive theological commentary. Abraham's successor Babai the Great drew upon the ascetic system of Evagrius of Pontus to explain the relationship of reading to the monk's pursuit of God. Syriac monastic handbooks of the seventh century built on this Evagrian framework. 'Enanisho' of Adiabene composed an anthology called Paradise that would stand for centuries as essential reading matter for Syriac monks. Dadisho' of Qatar wrote a widely copied commentary on the Paradise. Together, these works circulated as a one-volume library which offered readers a door to "Paradise" through contemplation. The Library of Paradise is the first book-length study of East Syrian contemplative reading. It adapts methodological insights from prior scholarship on reading, including studies on Latin lectio divina. By tracing the origins of East Syrian contemplative reading, this study opens the possibility for future investigation into its legacies, including the tradition's long reception history in Sogdian, Arabic, and Ethiopic monastic libraries.
Theosis, or the principle of divine-human communion, sparks the theological imagination of Orthodox Christians and has been historically important to questions of political theology. In The Mystical as Political: Democracy and Non-Radical Orthodoxy, Aristotle Papanikolaou argues that a political theology grounded in the principle of divine-human communion must be one that unequivocally endorses a political community that is democratic in a way that structures itself around the modern liberal principles of freedom of religion, the protection of human rights, and church-state separation. Papanikolaou hopes to forge a non-radical Orthodox political theology that extends beyond a reflexive opposition to the West and a nostalgic return to a Byzantine-like unified political-religious culture. His exploration is prompted by two trends: the fall of communism in traditionally Orthodox countries has revealed an unpreparedness on the part of Orthodox Christianity to address the question of political theology in a way that is consistent with its core axiom of theosis; and recent Christian political theology, some of it evoking the notion of "deification," has been critical of liberal democracy, implying a mutual incompatibility between a Christian worldview and that of modern liberal democracy. The first comprehensive treatment from an Orthodox theological perspective of the issue of the compatibility between Orthodoxy and liberal democracy, Papanikolaou's is an affirmation that Orthodox support for liberal forms of democracy is justified within the framework of Orthodox understandings of God and the human person. His overtly theological approach shows that the basic principles of liberal democracy are not tied exclusively to the language and categories of Enlightenment philosophy and, so, are not inherently secular. |
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