What it means to be global-or to be local-in the context of
artistic, curatorial, and theoretical knowledge and practice. In
this volume, an international, interdisciplinary group of writers
discuss what it means to be global-or to be local-in the context of
artistic, curatorial and theoretical knowledge and practice.
Continuing the discussion begun in The Curatorial Conundrum (2016)
and How Institutions Think (2017), Curating After the Global
considers curating and questions of locality, geopolitical change,
the reassertion of nation-states, and the violent diminishing of
citizen and denizen rights across the globe. It has become
commonplace to talk of a globalized art world and even to speak of
contemporary art as a driver of globalization. This
universalization of what art is or can be is often presumed to be
at the cost of local traditions and any sense of locality and
embeddedness. But need this be the case? The contributors to
Curating After the Global explore, among other things, specific
curatorial projects that may offer roadmaps for the globalized
present; new institutional approaches; and ways of thinking,
vocabularies, and strategies for moving forward. Contributors
include Lotte Arndt, Marwa Arsanios, Athena Athanasiou and Simon
Sheikh, Maria Berrios and Jakob Jakobsen, Qalandar Bux Memon, Ntone
Edjabe and David Morris, Liam Gillick, Alison Greene, Yaiza Maria
Hernandez Velazquez, Prem Krishnamurthy and Emily Smith, Nkule
Mabaso, Morad Montazami, Paul-Emmanuel Odin, Vijay Prashad, Kristin
Ross, Grace Samboh, Sumesh Sharma, Joshua Simon, Hajnalka Somogyi,
Lucy Steeds, Francoise Verges Copublished with the Center for
Curatorial Studies Bard College/Luma Foundation
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!