In the 1920s, Southern record companies ventured to cities like
Dallas, Atlanta, and New Orleans, where they set up primitive
recording equipment in makeshift studios. They brought in street
singers, medicine show performers, pianists from the juke joints
and barrelhouses. The music that circulated through Southern work
camps, prison farms, and vaudeville shows would be lost to us if it
hadn't been captured on location by these performers and recorders.
Eminent blues historian Paul Oliver uncovers these folk traditions
and the circumstances under which they were recorded, rescuing the
forefathers of the blues who were lost before they even had a
chance to be heard. A careful excavation of the earliest recordings
of the blues by one of its foremost experts, Barrelhouse Blues
expands our definition of that most American style of music.
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