Originally published in 1984, this study deals with a number of
influential figures in the European tradition of Marxist theories
of aesthetics, ranging from Lukacs to Benjamin, through the
Frankfurt School, to Brecht and the Althusserians. Pauline Johnson
shows that, despite the great diversity in these theories about
art, they all formulate a common problem, and she argues that an
adequate response to this problem must be based on account of the
practical foundations within the recipient's own experience for a
changed consciousness.
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