Unsayable Music presents theoretical, critical and analytical
reflections on key topics of contemporary music including acoustic,
electroacoustic, and digital music and audiovisual and multimedia
composition. Six essays by Paulo C. Chagas approach music from
different perspectives such as philosophy, sociology, cybernetics,
musical semiotics, media, and critical studies.
Chagas's practical experience, both as a composer of
contemporary music and sound director of the Electronic Music
Studio of Cologne, nourishes his observations on the specific
creativity that emerges with the use of the technical apparatus,
the development of the electronic music studio, the different
aesthetics of electroacoustic music, and the forms of audiovisual
and multimedia composition.
The title Unsayable Music is a reference to Wittgenstein, who
suggested that sound is only the surface of music and that the
musical work conceals something more profound that can hardly be
described by philosophical models or scientific theories."
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