Antoinetta Angelidi directed four full-length fiction films: Idees
Fixes / Dies Irae (1977), Topos (1985), The Hours: A Square Film
(1995) and Thief or Reality (2001), which have been screened at
international film festivals and contemporary art museums.
Angelidi's work has become synonymous with Greek Experimental
Cinema, while her films and her theoretical writings have been the
subject of numerous film courses, critical essays and
retrospectives. The inversion and juxtaposition of codes, as well
as the dream-mechanism and the uncanny, comprise her main creative
strategies. The complexity of cinematic heterogeneity and the
narrative multiplicity of different filmic elements which
characterize her work are examined in depth in this edited
collection dedicated to Antoinetta Angelidi's oeuvre.
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