Igor Stravinsky left behind a complex heritage of music and ideas.
There are many examples of discrepancies between his literate
statements about music and musicians and his musical compositions
and activity. Per Dahl presents a model of communication that
unveils a clear and logical understanding of Stravinsky's heritage,
based on the extant material available. From this, Dahl argues the
case for Stravinsky’s music and his ideas as separate entities,
representing different modes of communication. As well as
describing a triangular model of communication, based on a tilted
and extended version of Ogden's triangle, Dahl presents an
empirical investigation of Stravinsky's vocabulary of signs and
expressions in his published scores - his communicative mode
towards musicians. In addition to simple statistics, Dahl compares
the notation practice in the composer’s different stylistic
epochs as well as his writing for different sizes of ensembles.
Dahl also considers Stravinsky’s performances and recordings as
modes of communication to investigate whether the multi-layered
model can soften the discrepancies between Stravinsky the literary
and Stravinsky the musician.
General
Imprint: |
Taylor & Francis
|
Country of origin: |
United Kingdom |
Series: |
Routledge Research in Music |
Release date: |
September 2023 |
First published: |
2022 |
Authors: |
Per Dahl
|
Dimensions: |
234 x 156mm (L x W) |
Pages: |
222 |
ISBN-13: |
978-1-03-211114-8 |
Categories: |
Books
|
LSN: |
1-03-211114-3 |
Barcode: |
9781032111148 |
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