The 18th and the 19th century saw both the rise of the sciences on
crime and the rise of gothic literature. In this book Per Jrgen
Ystehede examines the relationship between the work of Cesare
Lombroso (1835-1909) and the rise of the gothic imagination.
Furthermore, addresses the question of how to understand the
relationship between the gothic tradition and contemporary critical
criminological perspectives, as mediated through the discussion of
Lombroso's thought and its influence on the discipline of
criminology. Through a reading of Cesare Lombroso's The Anarchists
(Gli Anarchici), Ystehede discusses Lombroso's views on the born
criminal, on revolution, anarchism, political revolutionaries and
the criminal through passion. This study offers both a new
interpreataion of Lombroso's work on anarchism, as well as
provocative interpretations of fin-de-sicle spiritualist research
in relation to the development of the science of criminology.
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