The Dutch Revolt has long been hailed as the triumph of
political freedom over monarchical tyranny. In 1781, John Adams
observed that the American Revolution was its "transcript." Known
for its many protagonists King Philip II, the Duke of Alba, the
counts of Egmont and Hornes, radical Calvinists, obstreperous
townspeople, and William of Orange the Dutch Revolt brought into
relief conflicts among civic freedoms, religious dissent,
representative institutions, and royal authority.
Drawing on a vast array of sources including archival documents,
political and religious pamphlets, ballads, chronicles and letters,
and a rich store of popular prints Peter Arnade gives us a new
history of the core years of the revolt between 1566 and 1585,
showing how the act of rebellion forged a political identity
through ritual, symbol, and public action. In Beggars, Iconoclasts,
and Civic Patriots, Arnade focuses on the political culture that
took shape during the Revolt, a culture that itself fueled decades
of turmoil. He sees the pulse of the Revolt in its public
dramatization-the acts, words, and cultural representations that
were its "daily bread and popular voice."
The violent wave of radical iconoclasm that swept the southern
Netherlands in 1566 is the book's pivot, setting the stage for the
Duke of Alba's brutal effort to restore the authority of the
Spanish crown. Arnade details the sieges and violent sacks of Dutch
cities by the Army of Flanders, and the response of Dutch rebels,
who touted defiant cities as the seats and guarantors of
unassailable rights and freedoms. This civic patriotism hailed
William of Orange as father of the fatherland, his apotheosis
hearkening back to late medieval princely ritual even as it invoked
new republican imagery."
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