What do American poets mean when they talk about freedom? How can
form help us understand questions about what shapes we want to give
our poetic lives, and how much power we have to choose those
shapes? For that matter, what do we even mean by we? In this
collection of essays, Peter Campion gathers his thoughts on these
questions and more to form an evolutionary history of the past
century of American poetry. Through close readings of the great
modernists, midcentury objectivists, late twentieth-century poets,
his contemporaries, and more, Campion unearths an American poetic
landscape that is subtler and more varied than most critics have
allowed. He discovers commonalities among poets considered
opposites, dramatizes how form and history are mutually entailing,
and explores how the conventions of poetry, its inheritance, and
its inventions sprang from the tensions of ordinary life. At its
core, this is a book about poetic making, one that reveals how the
best poets not only receive but understand and adapt what comes
before them, reinterpreting the history of their art to create work
that is, indeed, radical as reality.
General
Imprint: |
University of Chicago Press
|
Country of origin: |
United States |
Release date: |
November 2019 |
Authors: |
Peter Campion
|
Dimensions: |
216 x 140 x 23mm (L x W x T) |
Format: |
Paperback
|
Pages: |
256 |
ISBN-13: |
978-0-226-66337-1 |
Categories: |
Books
|
LSN: |
0-226-66337-X |
Barcode: |
9780226663371 |
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