Why are some of the most beloved and frequently performed works of
the late-romantic period--Mahler, Delius, Debussy, Sibelius,
Puccini--regarded by many critics as perhaps not quite of the first
rank? Why has modernist discourse continued to brand these works as
overly sentimental and emotionally self-indulgent? Peter Franklin
takes a close and even-handed look at how and why late-romantic
symphonies and operas steered a complex course between modernism
and mass culture in the period leading up to the Second World War.
The style's continuing popularity and its domination of the film
music idiom (via work by composers such as Max Steiner, Erich
Wolfgang Korngold, and their successors) bring late-romantic music
to thousands of listeners who have never set foot in a concert
hall. "Reclaiming Late-Romantic Music" sheds new light on these
often unfairly disparaged works and explores the historical
dimension of their continuing role in the contemporary sound world.
General
Imprint: |
University of California Press
|
Country of origin: |
United States |
Series: |
Ernest Bloch Lectures, 14 |
Release date: |
February 2014 |
First published: |
2014 |
Authors: |
Peter Franklin
|
Dimensions: |
229 x 152 x 23mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
224 |
ISBN-13: |
978-0-520-28039-7 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-520-28039-3 |
Barcode: |
9780520280397 |
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