Originally published in 2003 and selected from papers given at the
third biennial conference on Music in Nineteenth-Century Britain,
this volume, in common with its two predecessors, reflects the
interdisciplinary character of the topic. The introductory essay by
Julian Rushton considers some of the questions that are key to this
area of study: what is the nineteenth century, what is British
music, and did London influence the continent? The essays that
follow are divided into broad thematic groups covering aspects of
gender, church music, national identity, and local and national
institutions. This collection illustrates that while
nineteenth-century British music studies is still in its infancy as
a field of research, it is one that is burgeoning and contributing
to our understanding of British social and cultural life of the
period.
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