Peter Hughes is interested in spaces: from Lynn Deeps to
nineteenth-century Europe, from worn sentence construction to
jagged aspirations. With lyrical grace and a compassionate humanity
he makes us aware of the spaces that we fill, our memory of the
lost confines and our journeying towards those momentary fragments
which will in turn become the definition of our selves. This
remarkable collection takes us with wry humour from a reference to
John (Adge) Cutler taut within a sonnet to a deeply moving account
of when Hector Berlioz found his innerness stewed by seeing Harriet
Smithson play Ophelia. A fine collection by a poet whose concern
for the now is skilfully juxtaposed with a sense of place
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