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Osmin's Rage - Philosophical Reflections on Opera, Drama, and Text (Paperback, 2nd ed.)
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Osmin's Rage - Philosophical Reflections on Opera, Drama, and Text (Paperback, 2nd ed.)
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In his new concluding chapter, Peter Kivy advances his argument on
behalf of a distinctive intellectual and musical character of opera
before Mozart. He proposes that happy endings were a musical -- as
opposed to a dramatic -- necessity for opera during this period and
that Mozart's Idomeneo is properly enjoyed and judged only when
listeners axe attuned to its seventeenth and eighteenth-century
forebears.
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