The concept of genius intrigues us. Artistic geniuses have
something other people don’t have. In some cases that something
seems to be a remarkable kind of inspiration that permits the
artist to exceed his own abilities. It is as if the artist is
suddenly possessed, as if some outside force flows through him at
the moment of creation. In other cases genius seems best explained
as a natural gift. The artist is the possessor of an extra talent
that enables the production of masterpiece after masterpiece. This
book explores the concept of artistic genius and how it came to be
symbolized by three great composers of the modern era: Handel,
Mozart, and Beethoven. Peter Kivy, a leading thinker in musical
aesthetics, delineates the two concepts of genius that were already
well formed in the ancient world. Kivy then develops the argument
that these concepts have alternately held sway in Western thought
since the beginning of the eighteenth century. He explores why this
pendulum swing from the concept of the possessor to the concept of
the possessed has occurred and how the concepts were given
philosophical reformulations as views toward Handel, Mozart, and
Beethoven as geniuses changed in the eighteenth, nineteenth, and
twentieth centuries.
General
Imprint: |
Yale University Press
|
Country of origin: |
United States |
Series: |
Yale Series in the Philosophy and Theory of Art |
Release date: |
July 2011 |
First published: |
July 2011 |
Authors: |
Peter Kivy
|
Dimensions: |
210 x 140 x 18mm (L x W x T) |
Format: |
Paperback
|
Pages: |
304 |
ISBN-13: |
978-0-300-18018-3 |
Categories: |
Books
|
LSN: |
0-300-18018-7 |
Barcode: |
9780300180183 |
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