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Comparative Vandalism - Asger Jorn and the Artistic Attitude to Life (Paperback)
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Comparative Vandalism - Asger Jorn and the Artistic Attitude to Life (Paperback)
Series: Routledge Revivals
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First published in 1998, this volume is a study of Asger Jorn's
attempt to formulate the 'first complete revision of the existing
philosophical system' from the standpoint of the artist in the
period 1961-67. The Danish artist Asger Jorn (1914-73), painter,
draughtsman, potter and sculptor, was one of the most prominent
figures of his generation in Europe. His characteristic paintings
were spontaneous, using energetic brushstrokes, splashing and
spotting with a wide-ranging palette. Jorn's eclectic intellect
absorbed an astonishing range of influences and involved him in
many causes, including an ambitious programme to re-publish, with
commentary, material vital to Scandinavian cultural history. He was
also a founder member of Cobra (1948-51) and subsequently several
other international groupings, which coalesced in 1957 in the
setting-up of the Situationist International with French and
Italian writers and artists. Fascinated by the philosophical debate
on the position of the artist in contemporary life and the artist's
relationship to the past, Jorn broke with the Situationist
International in 1961 over the issue of whether an artist is an
instigator of cultural change or only an instrument of political
change. For the next four years, he committed himself to 'a first
complete revision of the existing philosophical system' with the
intention of placing the artist at the centre. Many of his ideas
were first tried out in French in various Situationist publications
and have since stirred considerable debate. His much more
comprehensive texts in Danish of 1961-67 have never been made
available in English. In Comparative Vandalism, Peter Shield offers
the first detailed study of Jorn's revision of modern philosophy,
exploring the origins and formulation of his ideas. The book
includes colour and black and white reproductions chosen from his
mature work to illustrate the connection between his writing and
painting.
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