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Metapolitics - From Wagner and the German Romantics to Hitler (Hardcover, 2nd edition)
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Metapolitics - From Wagner and the German Romantics to Hitler (Hardcover, 2nd edition)
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More than half a century after the fall of the Third Reich, Nazism,
its roots and its essential nature, remain a central and unresolved
enigma of the twentieth century. During the period of Hitler's
ascendancy, most attempts at explaining this unprecedented
phenomenon were framed in "economic," often Marxist, sociological
terms and concepts. Peter Viereck's Metapolitics, initially
published in 1941, broke with this convention by indicting Hitler
in terms of the Judaic-Christian ethical tradition and locating
certain elements of the Nazi worldview in German romantic poetry,
music, and social thought. Newly expanded, Metapolitics remains a
key work in the cultural interpretation of Nazism and
totalitarianism and in the psychological interpretation of Hitler
as a Wagnerite and failed artist. The term "metapolitics," a
coinage from Richard Wagner's nationalist circle, signifies an
ideology resulting from five distinct strands: romanticism
(embodied chiefly in the Wagnerian ethos), the pseudo-science of
race, Fuehrer worship, vague economic socialism, and the alleged
supernatural and unconscious force of the Volk collectivity.
Together, those elements engendered an emphasis on irrationalism
and hysteria and belief in a special German mission to direct the
course of the world's history. Viereck analyzes nineteenth-century
German thought's conflicting attitudes toward political procedures
and social arrangements rooted in classical, rational, legalistic,
and Christian traditions. This edition includes an appreciation by
Thomas Mann and an exchange with Jacques Barzun debating Viereck's
criticism of German romanticism. Viereck's essays on the case of
Albert Speer, on Claus von Stauffenberg (the German officer who led
the army conspiracy to assassinate Hitler), and on the poets Stefan
George and Georg Heym appear here for the first time in book form.
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