This book provides an `insider' view of worlds of popular music. It
shows the relationship between music, creativity, ideas and
localities by looking at cities, independents, genre, globalization
and musician's relationships with each other. Webb examines groups
of musicians, audiences and people involved in the music industry
and shows the articulation of their position as well as how to
understand this theoretically by looking at the city as a centre
for music production; the industrial music inspired neo-folk genre;
independence and its various meanings as a productive position in
the music industry; the globalization of music; and musicians own
narratives about working together and dealing with the industry.
Utilizing case studies of a variety of different cities -- Bristol,
London, New York, San Francisco, Berlin -- and genres -- Trip-hop,
Hip-hop, Industrial, Neo-folk -- this volume is a landmark in
popular music studies.
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