Known in the West primarily through poorly subtitled films, Chinese
martial arts fiction is one of the most iconic and yet the most
understudied form of modern sinophone creativity. Current
scholarship on the subject is characterized by three central
assumptions against which this book argues: first, that martial
arts fiction is the representation of a bodily spectacle that
historically originated in Hong Kong cinema; second, that the genre
came into being as an escapist fantasy that provided psychological
comfort to people during the height of imperialism; and third, that
martial arts fiction reflects a patriotic attitude that celebrates
the greatness of Chinese culture, which in turn is variously
described as the China-complex, colonial modernity, essentialized
identity, diasporic consciousness, anxieties about globalization,
or other psychological and ideological difficulties experienced by
the Chinese people.
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