The study of French cinema has expanded dramatically in recent
years, as it is increasingly taught alongside literature in modern
language departments. Many entrants to courses have no previous
experience of film study. This book, written by two leading
scholars of French film, offers students an introduction to the
history and theory of French cinema, while giving them an
understanding of the concepts and techniques involved in the study
of film. It also contains a model essay, sample film analyses, and
an appendix of statistics, filmography, bibliography and glossary,
making this book an indispensable and comprehensive resource.
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