"I turned to the second photograph. It was Guernica again. It was
vandalized again, but this time by someone who had charitably done
his handiwork on the photo instead of the picture itself. Now a
speech cloud with a tail, like those used in comics, emanated from
the pointed tongue of the horse that dominates the work's central
panel. It spanned most of the painting in length, this time
covering the mother's face and sparing the child's. It contained
seven words, written calligraphically in red:
Equestrians know.
I felt as if the espresso had exploded in my stomach, sending
reconstituted coffee beans in all directions, like a napalm
bomb...
Murder. This is what little Marcel was telling me, not so
subtly. "
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