Benjamin Britten's Peter Grimes is one of the few operas of the
last half-century to have gained a secure place in the repertory.
Its appearance in 1945 shortly after the end of the war in Europe
was a milestone in operatic history as well as in British music.
But the origins of the work lie in the United States, where Britten
and his friend Peter Pears (the first Grimes) spent the years 1939
42. In 1941 they read an evocative essay by the novelist E. M.
Forster on the Suffolk poet George Crabbe (1754 1832); this
precipitated Britten's decision to return to his native country,
and sent them both to Crabbe's poem, The Borough, which gave them
the idea for the plot they drafted together. This book opens with
Forster's original essay and his later one on Crabbe and Peter
Grimes. From there the reader can trace the history of the opera:
in Donald Mitchell's annotated interview with the wife of the
librettist, Montagu Slater; in Philip Brett's detailed study of the
fascinating documents preserved in the Britten Pears Library at
Aldeburgh; and in his history of the work's stage presentation and
critical reception. Hans Keller's remarkable synopsis, first
printed in 1952, is complemented by a fine new analytical study by
David Matthews of Act II scene 1, the crux of the opera.
General
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