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Kubrick's Total Cinema - Philosophical Themes and Formal Qualities (Paperback)
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Kubrick's Total Cinema - Philosophical Themes and Formal Qualities (Paperback)
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Whatever people think about Kubrick's work, most would agree that
there is something distinctive, even unique, about the films he
made: a coolness, an intellectual clarity, a critical edginess, and
finally an intractable ambiguity. In an attempt to isolate the
Kubrick difference, this book treats Kubrick's films to a
conceptual and formal analysis rather than a biographical and
chronological survey. As Kubrick's cinema moves between the
possibilities of human transcendence dramatized in 2001: A Space
Odyssey and the dismal limitations of human nature exhibited in A
Clockwork Orange, the filmmaker's style "de-realizes" cinematic
realism while, paradoxically, achieving an unprecedented frankness
of vision and documentary and technical richness. The result is a
kind of vertigo: the audience is made aware of both the de-realized
and the realized nature of cinema. As opposed to the usual studies
providing a summary and commentary of individual films, this will
be the first to provide an analysis of the "elements" of Kubrick's
total cinema.
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