Larkin's final collection of poems shows, as does all his best
work, his ability to adapt contemporary speech rhythms and everyday
vocabulary to subtle metrical patterns and poetic forms. Many of
the poems in the collection, which includes some of his best-known
pieces ('The Old Fools', 'This Be the Verse', 'The Explosion', and
the title poem) show the preoccupation with death and transience
that is so typical of the poet. Rather than words comes the thought
of high windows: The sun-comprehending glass, And beyond it, the
deep blue air, that shows Nothing, and is nowhere, and is endless.
from 'High Windows'
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