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Theology as Performance - Music, Aesthetics, and God in Western Thought (Hardcover)
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Theology as Performance - Music, Aesthetics, and God in Western Thought (Hardcover)
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Theology as Performance breaks new ground in the growing
conversation between modern theology and philosophical aesthetics.
Stoltzfus proposes that significant moments in the Western
development of the concept of God, in particular as represented in
the figures of Friedrich Schleiermacher, Karl Barth, and Ludwig
Wittgenstein, have been deeply influenced by concepts and
approaches borrowed from the discipline of musical aesthetics. Each
thinker develops fundamentally different ways of writing about God
that have in significant respects been derived from each one's
reading and writing about music. The aesthetic implications of
Schleiermacher's so-called subjectivist turn, Barth's objectivist
reaction, and Wittgenstein's language-game pragmatism can thus be
fully understood only by attending to the musical culture and
distinctly musicological discourses that gave rise to them.
Stoltzfus constructs two trajectories of thought with which to
trace theological reflection upon music throughout the pre-modern
period: the traditions of Orpheus and Pythagoras. Schleiermacher's
aesthetic approach, then, becomes a modern representative of the
Orpheus trajectory, and Barth's approach a representative of the
Pythagoras trajectory. Stoltzfus interprets Wittgenstein as putting
forward a radical critique of these trajectories and pointing
toward a third, "performative" theological-aesthetic method.
Theology as Performance offers a provocative rethinking of the
aesthetic roots of modern theology.
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