The Treatise on Musical Objects is regarded as Pierre Schaeffer's
most important work on music and its relationship with technology.
Schaeffer expands his earlier research in musique concrete to
suggest a methodology of working with sounds based on his
experiences in radio broadcasting and the recording studio. Drawing
on acoustics, physics, and physiology, but also on philosophy and
the relationship between subject and object, Schaeffer's essay
summarizes his theoretical and practical work in music composition.
Translators Christine North and John Dack present an important book
in the history of ideas in Europe that will resonate far beyond
electroacoustic music.
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