Contemporary art relies on an expansionist, modernist ideal and
still progresses through a critique of earlier forms of
democratisation. But beneath this democratic drive, lurks a
creeping crisis. Under neoliberalism, criticality has become a zone
of value production. A self-deprecating irony, exposing and
re-enacting this position of impotence, is one of the few gestures
left in the arsenal of critical art. Against this irony, this book
pits overidentification. This term has been taken to mean a kind of
parodic mimicry of institutional power. Using a broad tapestry of
sources, from political philosophers to art theorists, from
post-Marxist critiques of labour to ethnographic studies, it
proposes an interpretation of overidentification that does not
collapse into ironic posturing. The authors differentiate this from
bad faith flirting with taboo aesthetics by focusing on practices
grounded in a genuine identification with power that ushers the
kind of excess implied by overidentification. It is these forms of
overidentification that destabilise the metastasis of
liberal-democracy. Staging forms of critique not so readily
absorbed into the structure of the present, these subversive
performances herald a future beyond the democratic paradox.
General
Imprint: |
Palgrave Macmillan
|
Country of origin: |
Switzerland |
Release date: |
August 2023 |
Authors: |
Pil Kollectiv
• Galia Kollectiv
|
Dimensions: |
210 x 148mm (L x W) |
Pages: |
280 |
Edition: |
1st ed. 2023 |
ISBN-13: |
978-3-03-135814-2 |
Categories: |
Books
|
LSN: |
3-03-135814-7 |
Barcode: |
9783031358142 |
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