Since the late 1950s Stan Brakhage has been in the forefront of
independent filmmaking. His body of work -- some seventy hours --
is one of the largest of any filmmaker in the history of cinema,
and one of the most diverse. Probably the most widely quoted
experimental filmmaker in history, his films typify the independent
cinema.
Until now, despite well-deserved acclaim, there has been no
comprehensive study of Brakhage's oeuvre. "The Films of Stan
Brakhage in the American Tradition" fills this void. R. Bruce Elder
delineates the aesthetic parallels between Brakhage's films and a
broad spectrum of American art from the 1920s through the
1960s.
This book is certain to stir the passions of those interested
in artistic critique and interpretation in its broadest terms.
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