'Women's films' are more popular now than at any time following the
classical era. Postmodern Chick Flicks considers the reasons for
the renewed popularity of female-orientated genres and examines the
new film cycles this has produced. Focusing on melodrama, romantic
comedy, costume drama and female-led noirs, the book looks at the
revival of these forms and the way in which they blend classical
and contemporary themes and formal devices.
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