"Wondrous Brutal Fictions" presents eight seminal works from the
seventeenth-century Japanese sekkyo and ko-joruri puppet theaters,
many translated into English for the first time. Both poignant and
disturbing, they range from stories of cruelty and brutality to
tales of love, charity, and outstanding filial devotion,
representing the best of early Edo-period literary and performance
traditions and acting as important precursors to the Bunraku and
Kabuki styles of theater.
As works of Buddhist fiction, these texts relate the histories
and miracles of particular buddhas, bodhisattvas, and local
deities. Many of their protagonists are cultural icons,
recognizable through their representation in later works of
Japanese drama, fiction, and film. The collection includes such
"sekkyo" "sermon-ballad" classics as "Sansho Dayu," " Karukaya,"
and "Oguri," as well as the " "old joruri"" plays "Goo-no-hime" and
"Amida's Riven Breast." R. Keller Kimbrough provides a critical
introduction to these vibrant performance genres, emphasizing the
role of seventeenth-century publishing in their spread. He also
details six major " sekkyo" chanters and their playbooks, filling a
crucial scholarly gap in early Edo-period theater. More than fifty
reproductions of mostly seventeenth-century woodblock illustrations
offer rich, visual foundations for the critical introduction and
translated tales. Ideal for students and scholars of medieval and
early modern Japanese literature, theater, and Buddhism, this
collection provides an unprecedented encounter with popular
Buddhist drama and its far-reaching impact on literature and
culture.
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