Stevenson's unfinished masterpiece, Weir of Hermiston, has been
entirely re- edited from his final manuscript, revealing a rather
different novel from the bowdlerised version produced posthumously
by his friends. Stevenson revisits the conflicted Scotland of James
Hogg and Sir Walter Scott as well as that of his own youth, but
also responds to recently published novels. A substantial essay
explores the complex early publication history of the novel on both
sides of the Atlantic, and exceptionally full explanatory notes and
other background information are provided.
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