This is a unique volume, as its attempt is to treat films as
philosophy, rather than to speak of films only in relation to
philosophy, thereby subjugating the film in question to
pre-existing theories, be they psychoanalytic, feminist or
cognitive. This volume seeks to develop for the first time the set
of arguments and readings championed by those writers on film who
believe that films can think; that they can, indeed, perhaps
function as philosophy. Bringing together essays from some of the
leading scholars in the field the book also features an interview
with Stanley Cavell, in which he explains his most recent thinking
on the topic.
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